![]() ![]() From Ronald Ayling, The Continuum Companion to Twentieth Century Theatre, ed. The Island By Athol Fugard Pdf Download - lasopatribe Poster for the 2000 Royal National Theatre production The Island is a play written by Athol Fugard, John Kani, and Winston Ntshona. ![]() First and foremost a man of the theatre, Fugard has also assayed other literary forms he has published a novel, Tsotsi (1980), a volume of selections from his remarkable diary, published as Notebooks: 1960–1977 (1983), and Cousins: A Memoir (1997). The strength of his work lies in its enactment - often in racial role-playing - of apartheid situations seen from the victim’s point of view. Throughout a long career, Fugard’s most significant contribution to South African theatre has been his involvement at all levels with black theatre practitioners. Valley Song (Johannesburg and Princeton, NJ, 1995) tenderly dramatizes the increasingly troubled relationship between a simple, inadvertently selfish old widower and his naive, fun-loving granddaughter, who wants to leave their desolate Karoo farm for the big city. Racism unexpectedly shatters Harolds childhood and friendships in this absorbing, affecting coming of age. My Life, premiered to critical acclaim at the Grahamstown Arts Festival in 1994, has, unusually for Fugard, an all-female ensemble, with him arranging material but (unlike his practice in the earlier improvisational collaboration with two male actors) severely restricting his own authorial contribution. Academy-Award winner Athol Fugard, one of theatres most acclaimed playwrights, finds humor and heartbreak in the friendship of Harold, a 17-year old white boy in 1950s South Africa, and the two middle aged black servants who raised him. Both are two-handers, where one character is black and the other is white (or appears to be white) but whereas The Blood Knot prophetically enacted apartheid’s evils, Playland depicts the difficulties of reconciliation in the regime’s aftermath. ![]()
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